K. MEIRA GOLDBERG
In Sonidos Negros, readers learn how Flamenco’s sensuality, quixotic idealism, and fierce soulfulness echo with contests that trace the rise and fall of the Spanish empire. From Inquisitional certifications of blood purity to Christmas pageants staged throughout the Americas, flamenco’s Janus-faced stage Gypsy walks a knife’s edge between Blackness and Whiteness.
